Mission: Impossible – Rogue Nation (2015)

Throughout the film, for some reason, my brain kept swimming around to Skyfall, and not because of great cinematography. My head kept thinking of Bond because this particular Mission: Impossible was dead set on nods to the earlier films and stories. The theme song was on a consistent loop (although enjoyable) and there were even hints in the credits at an older style, something more retro. In case explaining this hasn’t explained the link to Skyfall, it two was full of little reminders and nods to old cars and gadgets and it felt like it was trying to do the same but with somewhat less conviction.

Another problem was the predictability – while the audience gasped I couldn’t help but think I saw that coming (for those who have seen it – I knew he’d drop a card and mix them up, I knew she would swim in and help and so forth), the whole way round I could feel what was going to happen and was usually right. It’s not a sign of a bad film by any means but it it is a sign of a less interesting one. The levels of tensity were rightly high but I was not excited by each turn in the tale. Which is slightly key for the M:I films.

Other points that I haven’t given much thought to but should be mentioned are the stunning locations, the very long winded journey of a memory stick (I had to stop and think about why they were chasing each other up a mountain for it because I couldn’t remember what was on it), and the questionably generic character of Ilsa Faust (Rebecca Ferguson, notably not the X-Factor contestant) which I feel was then redeemed when she jumped on a guys shoulders and stabbed him in the chest.

Good things: Simon Pegg. I love Simon Pegg. Simon Pegg is a fantastic actor, and I really love it when he is in a different variety of films, particularly in serious films. His character Benji is fantastic and an absolute scene stealer throughout the film and when he’s gone you’re still thinking “You know what would make this fight scene better? Benji”. As it goes, the best fight scene is in fact the duo battle with Ilsa and Ethan versus lots of scary guys with knives (best description available). Put simply, Benji adds substance, fun and wit to the films (as he does in M:I4) by giving a. Stronger relationship to Hunt and meaning to some of what they are doing. Equally without his witty remarks the film would be less fun and far too plain. Well done Benji/Simon Pegg we love you.

The opening scene is the airplane moment from the trailer with Tom Cruise Oprah-ing all over again by hanging from the plane door. It’s a good scene and it feels familiar for the audience. The next major section is problematic, the scene at the Viennese Opera takes too long. It’s a pretty standard problem that Ghost Protocol succeeded in avoiding but Rogue Nation has just missed the mark. The scenes are longer than needed and drag not just the missions out but the film also to a bit over 2 hours. This happens later on in the final chase scene which is full of unnecessary artistic shots of hit-men walking through marble archways.

So Rogue Nation is the slightly less successful younger brother of Ghost Protocol. Yet it is no less enjoyable or watchable, it’s just that M:I4 succeeds at being the family favourite (in my house, that is). It has it’s problems but it’s a great film that resulted in audience laughter and shock and was a good Mission: Impossible film all told.

Mission: Impossible – Rogue Nation, also known as Why is Tom Cruise Still Getting Shirtless in Films? earns a solid 4 stars for a great cast, story and enjoyable thrill ride.

Mad Max: Fury Road (2015) or ‘What Qualifies as a Five Star Film?’

Seeing Mad Max: Fury road seem so long ago now – despite the screening being just yesterday evening. Perhaps because I was lounging in an Everyman Cinema on Baker Street with a Cosmopolitan in hand (the best kind of cinema is the kind with cocktails). I was so comfortable I could have fallen asleep, but this is the moment the trailers rolled and Mad Max began. From one corker of an establishing shot, I was practically lobbed into Max’s survival mode world and the car-chase-long film that is Fury Road. And that is essentially what it is, which ironically is one of the reasons it is so great.

What makes a film so great, what makes a film worthy of a five star rating is always one or both of the following reasons: 

  1. It is classed as unmissable
  2. Something above and beyond a series of moving pictures

Number 1 usually covers award hype films (Whiplash, 12 Years a Slave), Disney greats (Frozen, Big Hero 6), and cult classics (check the IMDb top 250 for around 250 examples). These are films that will surround you for months whether you like it or not – I’m talking Let it Go, constant photos of J. K. Simmons staring into your soul with award in hand or just massive promotion for it. Number 2 applies, in my books, to Cloud Atlas, to Blade Runner, to Mad Max: Fury Road. These films earned their stars because it is more than just what is on screen, more than the gorgeous soundtrack, it’s even more than how it makes me feel.

A five star rating of this kind is about sheer ambition – the glorious creativity and imagination that secures films place in the art world where it belongs. Occasionally it is a film that’s ahead of it’s time; it is so creatively huge that no-one saw it coming (Blade Runner, again).

Every film is a labour of love – years of work and production, so whether we call it good or bad, it all started as an idea in someone’s head. So regardless of whether we’re talking of the iconic Raiders of the Lost Ark, or the abysmal Kingdom of the Crystal Skull, it is still miraculous that what started as a thought can make it through the creative process to be shown on a big screen.

Occasionally however, we get such films that come along and take everyone by surprise , confusing audiences and making them reconsider their personal taste in film. Both my friends and I turned to call Fury Road the best action film we’d ever seen. This is the beauty of it all – I have yet to see the Fast and Furious franchise, or Sin City, or even other Mad Max films and it’s been a long time since I have been persuaded to see an action film in the cinema  – or enjoy one this much. Yet here I am, writing a five star review for a violence-filled, rock and roll scored, Tom Hardy starring action film with car chases and scantily clad women. Miracles do happen, folks.

Watching this film, I was in jaw-half-open-awe of how incredibly ambitious this film was, and I couldn’t help but think, marvelling at its beauty, how over-the-moon the teams behind Fury Road must be. It succeeded expectation and possibility. Now that I’ve temporarily stopped gushing about how much I love good films (I could write a book, honestly), let’s talk more Mad Max…

The absolutely glorious soundtrack is one to be bought immediately and listen to as you do really un-glorious things like brush your teeth or fall out of bed (if you’re that prepared, that is). The cinematography is just fantastic, and things like the colour, or the realism of the completely unreal dessert and post-apocalyptic culture ruled by creepy-as-anything ‘Immortan Joe’ are just jaw-dropping. I had reservations about seeing the film, fearing a mindless action film with a lot of death but I was not right in holding such reservations. I was right about the death but I mean, it has the words ‘mad’ and ‘fury’ in the title – they advertised the film as madness so of course there was going to be loads of deaths. Small victories, eh? But the film itself s worth watching regardless of your chosen genre persuasion and really was a mouth-open at the credits, wanting to clap sort of film.

Practically flawless, visually stunning, the editing was seamless and there were no useless shots or any wasted dialogue – everything was carefully thought out and designed to create a thoroughly enjoyable, and thrilling action film proving the team behind it to have the imagination of a couple of children who believe in dinosaurs and unicorns, and this is by no means a bad thing.

I had no idea how they could make a 2 hour car chase interesting but they sure as hell did. Gripping and intensely good, (and in case you hadn’t already guessed from the hints) Mad Max: Fury Road gets a solid FIVE STARS.